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Ultimo fascicolo

RISES » 2018/1-2 »
ISSN 2499-2321

Daniela Manetti

Propaganda, interventi urbanistici e sviluppo produttivo. Cinecittà 1937- 1945

pp.113-135, DOI 10.17426/69025

Articoli

Abstract: Abstract: In the year 1925, with its hold on power now consolidated, the Fascist regime adopted a new approach to the cinema. Since then propaganda, control, censure and a variety of incentives were constantly interwoven. The film industry was identified as a key sector for the regime, thanks to the Duce’s immediate awareness of its importance in the spread of Fascism’s mythology and of its role as a fundamental instrument in the organization of consensus. Within the framework of the measures taken to re-launch, expand and protect this sector – which have no equal in other industries for the abundance and continuity of the means allocated – the Cinecittà project was inserted. It took form out of an encounter of various interests: investments in public works with an anti-cyclic function; a new urban design for Rome to be carried out through detailed plans that would highlight the city’s historical remains and create a monumental architecture for the “Urbe”, thanks to the convergence of public and private energies. Keywords: Cinecittà; Italian Film Industry; Fascism; Propaganda, Consensus and Censure; Urban Development

Keywords: Cinecittà; Italian Film Industry; Fascism; Propaganda, Consensus and Censure; Urban Development

Referenze
  • download: n.d.
  • Url: http://archivio.centroricercheroma.it/?contenuto=ultimo-fascicolo-rises&idarticolo=1637
  • DOI: 10.17426/69025
  • citazione: Daniela Manetti, Propaganda, interventi urbanistici e sviluppo produttivo. Cinecittà 1937- 1945, "RiSES", IV/1-2, pp.113-135, DOI: 10.17426/69025
 

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